Wee Woven Patches

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Sometimes I want a patch instead of a visible mend on a garment, I like the look. Sometimes I just want a cute little patch because it's cute.

I have a set of Minute Weavers from Purl and Loop that make 2"-ish woven squares. They are great for making tiny patches. The set comes with three weavers that use fingering to worsted weight yarns.

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They are a spectacular take-along project, or I-just-need-to-finish-something-real-quick project, or maybe you need a coaster for your shot glass.

The patch in the photos is woven from a Merino single (I think it's Hedgehog Fibres), the color is so magnificent that I will put up with the inevitable pilling.

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This little patch was destined to cover a little hole in a sweater, but since I’ve made it, I’ve been carrying it with me and just petting it. I guess sometimes a wee patch is all I need for some fiber comfort.

Sit at the Table, Jump Off the Rock

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One of my strongest memories of teaching at the Mason Dixon Knitting Getaway is of tables. Think about it, at any retreat or class tables are important. You learn at them, eat at them, gather around them.

The tables at the MDK Getaway were especially welcoming. Sure friends sat with friends, but no one was ever turned away because a spot was saved for someone else, chairs were drawn up, buns were scootched down a bench, there was always room.

The tables where we ate were long and communal. There were tables in the library for after hours knitting and crafting, and people moved around greeting old friends and settling in with new ones.

The tables in my classroom, had to be moved between for supplies, and there was all kinds of encouragement and all the answers to any curiosity as people bopped from table to table.

I was lucky to sit at a special early morning table. The east coast early birds, met every morning at 6 for coffee. Ann Weaver and I roomed in an apartment in one of the dorms. We had a kitchen with a big table, and Nell, who was next door, had the holy AeroPress.

Folks would show up in jammies or already dressed with their knitting or stitching and we would get ready for our day with craft, chatter and caffeine. No one was ever in a hurry. It was a perfect way to start a day, slowly connecting over craft.

I am grateful to have been invited to sit at the tables at the Getaway.

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There was a reservoir a five minute walk from campus and I was determined to go swimming. It rained a lot over the weekend, but there was a magical two hours one afternoon, when both the weather and my schedule was clear.

One of the young women who worked with us took me down to the res and asked, did I want to go down the ladder or jump off of the rock?'

The rock was about 10 feet from the water, and just a little slippery. I stepped up and jumped, no hesitation, just reaction born of a lot of summer memories.

In that airborne moment I was 8 not 56. It was bliss, the combination of freedom and terror.

The weekend at the MDK Getaway was a great reminder to me that when the opportunity presents itself, sit at the table and jump off the rock.

Mason-Dixon Knitting Getaway

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I’m just back from teaching at the Mason-Dixon Knitting Getaway at the Shakerag Workshops in Sewanee, Tennessee. It was 100% like camp for grownups with all fiber fun and booze.

The people, the food , the location were all perfect. It rained a lot and that didn’t dampen (heh) anyone’s spirits.

There were four teachers, I taught weaving yarn bracelets, Ann Weaver taught knitting braids, Sunne Meyer taught Alabama Chanin-style stitching, and Donna Brown taught natural dyeing on sock blanks. Each class was about 2-ish hours long, quick hits of creativity.

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My weaving students were fantastic. We had low tech tools, a cardboard loom, a plastic weaving needle, and a fork.

Kay and Ann raided the MDK yarn closet of yarn left over from kits and projects, I brought some ribbon clasp closures and all the beads, buttons, fabric and other goodies that I could find at my thrift stores. I also brought a bunch of novelty yarn. #bringingbackrailroadribbon

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From these humble materials my students made glorious and creative bracelets. The weaving was simple once they got the hang of it.

There was a lot of talking and laughing. We sang along to Stevie Wonder and I may have done some dancing.

Of course, since I had a room full of yarn people, I talked about grist, the properties of yarn, and knitting. I even spun yarn to show the difference between woolen and worsted yarns.

It was a whole lot of fun! I’ll talk more about other things that made it special in another post.

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Planning for a Break

Imagine a hammock here…….

Imagine a hammock here…….

I remember summers when I was a kid. We might go on a vacation, but mostly I would play. I would ride my bike, go to the library and check out books to read under a tree, maybe go to the pool. I'd leave the house in the morning and not come back until the dinner time whistle, just spend the day meandering. I would do this for most of the summer.

I can’t remember the last time I drifted for more than maybe one day, getting up with no plan, maybe a direction, but no plan. I did recently have a meandering day with my friend Erica here in town and it was fantastic.

I recently realized I haven’t spun just for fun (deadlines) for almost a year. Things keep stacking up and time runs out. I’m not unhappy, I love the work I do and I love working for myself. But I need a little playtime, time to dabble and to try things, or to do nothing.

The spot in the photo that the arrow is pointing to is where my hammock used to hang. I haven't put it out for two years. I love rading in that thing, even when there are bugs.

I want to take time in August. I would love to take the whole month off, but that may not be possible. I know I can take a couple weeks off with the rest of the time very short work weeks.

I’m energized by just the idea. I know I need to plan carefully and to do extra work now to get ahead.

Have you planned for time off? How did you manage it?

Two Great Books Coming in October

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Get ready to stalk your library or pony up your book money for two book this fall. My husband is a book rep and I got my hands on advance reader copies of two fantastic fiber book coming this October. I've read them both and highly reccomdend them.

Clara Parkes new book Vanishing Fleece: Adventures in American Wool, tells the story of her bale of Merino. Remember that? I remember the bale! Here's the offical blurb:

*A fast-paced account of the year Clara Parkes spent transforming a 676-pound bale of fleece into saleable yarn, and the people and vanishing industry she discovered along the way

Join Clara Parkes on a cross-country adventure and meet a cast of characters that includes the shepherds, dyers, and countless workers without whom our knitting needles would be empty, our mills idle, and our feet woefully cold. Travel the country with her as she meets a flock of Saxon Merino sheep in upstate New York, tours a scouring plant in Texas, visits a steamy Maine dyehouse, helps sort freshly shorn wool on a working farm, and learns how wool fleece is measured, baled, shipped, and turned into skeins.

In pursuit of the perfect yarn, Parkes describes a brush with the dangers of opening a bale (they can explode), and her adventures from Maine to Wisconsin (“the most knitterly state”) and back again; along the way, she presents a behind-the-scenes look at the spinners, scourers, genius inventors, and crazy-complex mill machines that populate the yarn-making industry. By the end of the book, you’ll be ready to set aside the backyard chickens and add a flock of sheep instead. Simply put, no other book exists that explores American culture through the lens of wool. *

The other book is Threads of Life: The History odf the World Through the Eye of a Needle by Clare Hunter. I heard her reading from this book a few months a go on BBC radio and was entranced. Here's the blurb:

*A globe-spanning history of sewing, embroidery, and the people who have used a needle and thread to make their voices heard

In 1970s Argentina, mothers marched in headscarves embroidered with the names of their “disappeared” children. In Tudor, England, when Mary, Queen of Scots, was under house arrest, her needlework carried her messages to the outside world. From the political propaganda of the Bayeux Tapestry, World War I soldiers coping with PTSD, and the maps sewn by schoolgirls in the New World, to the AIDS quilt, Hmong story clothes, and pink pussyhats, women and men have used the language of sewing to make their voices heard, even in the most desperate of circumstances.

Threads of Life is a chronicle of identity, protest, memory, power, and politics told through the stories of needlework. Clare Hunter, master of the craft, threads her own narrative as she takes us over centuries and across continents—from medieval France to contemporary Mexico and the United States, and from a POW camp in Singapore to a family attic in Scotland—to celebrate the age-old, universal, and underexplored beauty and power of sewing. Threads of Life is an evocative and moving book about the need we have to tell our story. *

Make some room on your bookshelf.

Gauge and Knitting Needle Material

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I’m a little bit obsessed right now with my knitting gauge and all of the things that affect it.

I’ve experimented with twist direction and style of knitting. I’m developing arthritis in my hands and know I need to work on different ways to tension my yarn, but I’m leaving that for last. It seems like a hard thing to change.

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My latest gauge experiment was with needle material. I knit a swatch with Lykke Driftwood, needles (they are made of birch) and Chiagoo stainless steel needles.

I knew they would be different, but I was surprised how much. I knit a 25 stitch swatch with both needles using Swan's Island All American Worsted. The ballband calls for a gauge of 4.5 stitches nd sugget a needles size of US 7/4.5 mm.

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Since I know I am a loose knitter, I used a US 4/ 3.5mm for both swatches.

My swatch with the Lykke needles comes in at 4.5 stitches to the inch , and my swatch with the Chiagoo is closer to 4 stitches to the inch.

The Chiagoo swatch is on the left and the Lykke swatch is on the right.

A half a stitch to the inch is a lot of difference. I didn’t even need to measure to know that they would be different. I could see it and feel it in the swatches.

Do you choose needles material to compensate for gauge?

A Peek into Ancient Color

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Last Friday I went to the Kelsey Museum of Archeology at the University of Michigan to see the exhibit Ancient Color, a look at color on Roman artifacts.

Most of the people there looked at the hard artifacts, statues, pottery, and pieces of wall, but I drooled over the textiles. It wasn’t a huge exhibit, but it was mind blowing to me that we have such ancient textile fragments to study, and that we are using most of the same materials centuries later.

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Wool bag, here’s the museum description:

Wool with red, green, and possibly yellow dye.

Roman period (1st–4th century CE), Karanis, Egypt, U-M Excavations, 1924–1935.

Look at that red, and it’s probably faded! The bag is woven, but how. Is it backstrap? And the wool, what breed?

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Textile fragment featuring a scene from the myth of Leda and the Swan. Here are the museum details:

Wool with purple dye. Roman period (1st–4th century CE), Karanis, Egypt, U-M Excavations, 1924–1935.

Look at the detail in this weaving, it’s about 8”x8”. Was the purple, Tyrian purple, dyed with Murex rock snails? I want to know more about that super stinky process.



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Textile fragments.

There are three, the Red on the left, Blue on the right in the front, and Purple on the right in the back.

Here’s what the museum knows: all are Roman period (1st–4th century CE), Karanis, Egypt, U-M Excavations, 1924–1935.

Red: Wool with red dye (possibly Madder). Blue: Wool with blue dye (possible Indigo),flax. Purple: Wool with purple dye (possibly a blue-red mixture), flax.

The Blue and Purple fragments look woven with a linen warp and wool weft. The Red fragment I can’t really tell the construction, maybe twined? Clearly I have to go back.

Here you can see official museum photos of all of these pieces on grey.

This show shut down my working brain and filled up my curious brain. I’m going to do more digging on ancient Roman textiles, textile conservation, and the stinky snail dye process.

You can look at parts of the show online. Be sure to check out the resources page, there are lots of great links. If you are near Ann Arbor they have extended the run to July 28th. Coming to town and need a yarn fix? My lys is Spun in Kerrytown.

Maryland Sheep & Wool: I Bought Fleeces

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I'm just back from Maryland Sheep & Wool, which was fantastic! Want to know more about my teachng and teacher adventures? Head over to yesterday's KnittyBlog where I spill all.

I went without a shopping list (rookie mistake), but never in my dreams did I think I would buy a fleece, let alone two. But several things happened. I listened to Judith MacKenzie talk about how the fleeces at Maryland are the best in the US in her opionion. Then I was faced with this bounty. This video is 900+ fleeces ready to be sold:

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Could you resist? Add to that Maggie Casey, Deanna Moore, and a whole host of volunteer fleece experts whispering, like the devils they are, in my ears and helping me choose.

Here’s what I got, an unusually fine and colored Finn, and a black Corrie X. Aren’t they lovely? I have no idea what I’m going to spin, but I am going to process them by hand.


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Remember that I was a newbie to Maryland? Well I had a great guide, Laura Linneman, one half of the KnitGirllls podcast and SSK. She’s been going to Maryland since she was a little girl, and has only missed a few. Leslie couldn’t come because of work, but we texted her a lot.

She knew where to go, what to eat, where and when to pee, and the secret spots to sit and rest our feet. I couldn’t have asked for a better escort!

We both did a little shopping. Another mutual friend, Jess, was with us, and no one really reigned it in. It was great fun, but I’m not looking forward to my credit card bill.


Here’s the rest of my haul:

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Two spindles from Bosworth, and a support spindle and bowl from Stephen Willette.

I will confess to touching a book charkha in the Bosworth booth, but it did not come home with me.

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And all of this, clockwise from upper left: Cormo from Bumblebee Acres, a sweater’s worth of kettle dyed sport weight yarn Captain Tightpants from ITW, BFL/silk top, Polwarth top, and three skeins of kid mohair/silk form Neighborhood Fiber Co, and a skein of Corrie sock yarn from Bumblebee Acres.

I already have plans for most of it. Mohair and mohair/silk yarns are making a big comeback, I saw them everywhere. I kinda love them.

I will leave you with the famous Maryland Sheep & Wool spinning dinosaurs, father and daughter edition